The Struggle for Authenticity in Art I want to speak today about authenticity . And about what we quietly give up to be accepted. We’re told that contemporary political art values autonomy . That artists are free. That inquiry sits at the centre of practice. But autonomy, in reality, is often something we *perform*— not something we’re allowed to exercise. Freedom is celebrated rhetorically, while legitimacy is granted only when work conforms to approved languages , approved theories , approved causes . Autonomy isn’t denied outright. It’s curated. This system doesn’t fail artists by accident. It functions mechanically. It rewards work that aligns with predetermined frameworks and filters out work that doesn’t speak the sanctioned dialect . Many voices are excluded not because they lack skill or meaning, but because they refuse to translate their experience into institutionally legible language. I’m not saying all excluded work is good. I am saying much of it is never heard. An...
Get link
Facebook
X
Pinterest
Email
Other Apps
This is an exciting time to teach with technology
Get link
Facebook
X
Pinterest
Email
Other Apps
-
EXCITING TEACHOLOGY
“Tablets will change education this year and in the
future because they align neatly with the goals and purposes of education in a digital age.
Direct access to 24/7 information - anywhere anyplace
take advantage of the many resources available through iTunes University
a mobile learning solution a focus on accessing media-rich learning content and resources.
its an gadget world - 150,000+ iPhone and iPod Touch apps
and then ANDROID & LINUX is yet to hit - more to come.
these devices will succeed because:
They are about productivity — Learning is about doing and, increasingly, about doing both in and out of the traditional classroom. In the 21st century, learning is contextual and promotes engaging students in real-life applications. This means learning on-the-go but with all of the necessary materials and digital tools necessary for their tasks. A phone isn’t quite up to the task and a laptop isn’t exactly mobile. A tablet is the perfect device.
They are about convergence — E-readers will not take hold in education because tablets will negate their usefulness and appeal. An e-reader is a single-use machine and a fairly limited one at that. The tablet, on the other hand, will support e-textbooks — Web-based and offline — color, Web productivity, and a whole host of other media, content creation, and communication options. The tablet can serve many functions and the e-reader only one. We want convergence when it makes sense and the convergence offered by tablet devices will appeal to educational users.
They are about mobility — Make no mistake about it — tablets are mobile devices. They will run mobile apps, have mobile contracts in some cases, and be designed for productivity on-the-move. They are perfect for augmented reality applications, distributed learning, and student success tools.
They are about price and availability — Tablets will allow users to have the functionality they want at a price they can afford. More importantly, they will usher in a new era of learning material distribution and subscription models for textbooks. The net result will be lower education costs across the board.
They are about community — Tablets are mobile devices that connect users to one another. Learning, particularly in the 21st century, is a community-based activity. Enough said.”
This is a very exciting time for the world of educational technology.
The Situation - Red Alert JB , a middle-aged mail spaceship pilot . Starship piloting JB is held not by ropes, but by the cryo-unit's nanoweave swaddle —a tight, absolute embrace mimicking paranoiac wrappings. This material presses against him, preventing his shivering flesh from flying apart under the centrifugal force of his panic. He feels a cold burn and constant helplessness sinking in. His anxiety is a crimson klaxon , a "relentless tempest" of warring thoughts. He is mentally back in the cockpit, but the instruments scream in an alien language; every light and warning signifies impending failure. His pure instinct screams ABORT , yet there is no escape route. Confrontation Rising JB is shown the war of impulses tearing him apart—the "lunge and the retreat". His existence is reduced to the strained gasp: "I live for fucks sake, I don't know.” Full Assault a Violet Firestorm JB responds with explosive, automatic violence, his lungs burning from ...
Situation - The Tempest’s Reflection JB, a spaceship pilot, has been placed into a cryo cocoon to revive and transform his life essence. Inside the cocoon, he experiences his mind as a "relentless tempest of clashing thoughts, swirling and churning, mirroring the furious chaos outside of the machine." JB also sees his older self trapped in the same transitory state. The Storm in my Looking Glass A cinematic close-up of JB’s face behind the curved glass of the cryo-cocoon. The glass reflects not the room but a "relentless tempest" of swirling dark clouds and lightning , symbolising his churning thoughts. In the storm's reflection, a ghostly older version of JB is visible, trapped and silent, mirroring the pilot's current state. Cryogenic Rejuvenation Chamber - Night This trapped specter is the true mirror of our pilot's current, suspended state: a mind caught between two ages, the man he was refusing to be silenced, terrified of the man he is about to be...
The hand that holds the glamour Between the flick of a lighter and the curl of smoke lies a story told in two parts: the hand that holds the glamor, Between the flick of a lighter and the curl of smoke lies a story told in two parts: the hand that holds the glamor, and the eye that chooses to believe it. The art of the obscure and meaningless In the realm of modernist art , exemplified by Eddie's deliberate embrace of abstraction and mystery , artists have increasingly surrendered their authoritative power of intent to a veil of meaningless vagueness, compelling viewers to co-create meaning from fragmented suggestions rather than receiving a clear, directive vision. Her scalpel-wielded dissections—such as her perforated self-portraits or obscured war images—eschew explicit communication in favour of elusive hints, as she professed a desire to remain "mysterious" and avoid revelation, thereby shifting the burden of interpretation onto the audience in a pseudo-spiritual a...
Comments
Post a Comment