Moon over Desert


Hole in the Wall: Moon over Desert

Within solitude, there is self-beauty to be discovered.
Engage silence and dismiss the want to share.
And dismiss the necessity to be liked.
And love the abstract of your abyss.
Be satisfied by the soiling and scratching of time.
Whilst crawling and scampering throughout.
The same mistakes.
The same divisions.
The same crisis.

When secrets have long passed their importance.
And the desert sea shimmers under full moon.
Recognise that glorious intent is cyclical.
Without thought and without hoopla grasp this intent.
Without the need.
Without the seeing.

What is fully understood is quickly dismissed.
Your story has the greater impact.
Your synthesis of fact diminishes being.

Nothing will hurt you in your solitude.
Within cyclic patterns enable the time to feel your situation.
What is in determinism.

As an insect in forrige.
And thankful for the ambient light.
The casting your domain is difficult to define.
Let in the universe.
The stars, the planets, the reflected matter.
Shimmer and reflect your unspoken meaning.
Rejoice your memories, your shadows, loss and sense of being.
Move in cycles rather than from left to right, and back and forward.
Rather than in linear action.





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Melbourne to Darwin November 2019

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Melbourne to Darwin

The Shopping Centre
Not knowing whether to be scared or to be content Make your judgment Halo or devil 
We describe our persona of creepy In our religious manifestations In our children books In our stories  In our movies
Our hell on earth Permitting the dead to guide our fear and vision 


Peter went shopping In our hallowed place of transaction To think and talk about probability To keep the gate open for approved believers To revoke the others who continue to seek knowledge
Our gatekeeper of the significant fell into a moment And became lost in thought  He let his guard down  There on a humble symbol of power  Laid down to rest Control
A situation began to unfold No-one saw who claimed it
Everyone knows Key 6 was extensively employed to establish Terra Australis Incognita To support those of divine grace to access the fruits of this new world To impose those bereaved from grace and imposed to a fate of generational poverty



The moment in which Peter forgot about ke…
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Ambitious Artist Ha Ha Ha video

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At the age of 60, I thought life would be much easier to understand
In the '80s, I was painting art inspired by Fauvist, Cobra and Art Brut artists
I wanted my art to be raw, powerful and primitive
I was investigating our psychological and physical barriers as they failed to protect
I wanted to paint self entrapment where sickness and resistance hid any possibility of outwardly demonstrating wellness.


Back in ‘81
When
Times were fun
As a fine artist
With ambition in mind
I thought of life


It was so primitive
From the 1860s to 1950s
They were seemingly untreatable
They were feared
There was panic
Colonies within a colony


A prison for the sick
Of appalling living conditions
Enforcing social isolation
GRIM and SHAME


A wish in time
Investing in negative sentiment
Self-sealing
Theory
Evidence
Belief


Invested in negative sentiment
Fabric and Structure


Pressed on for living
I have the need to know
Fleeting and impulsive distrust


A self-deprecating joke
I murmur in delight of my loss
I j…
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Darwin Jingili Water Gardens Day 1

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COVID-19 2020 has shut down my travels. 
So that now I'm on my annual mid-year break I have the time to question my actions. My employment is based on a formal strategy.  High pressure and doing it. 
COVID-19 has placed barriers onto my normality. The basis of this blog is questioning the 'just doing it' normality within the confines of COVID-19 restrictions. Understanding my actions within confinement -  'we cannot know things as they are in themselves' (Kant). 
On this basis, I have dedicated part of my holiday getting to know myself getting to know Jingili Water Gardens. In short, thinking about my experiences experiencing Jingili Water Gardens. 
My initial quandary is that I do not know if this blog is a response of being free to act within restrictions or is it a 'just do it' reaction imposed by confinement.  In other words, is this aesthetic of my own freedom or is it that of an outcome derived by that of an authoritative decision? 
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Social Networking and Teaching

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Darwin Jingili Water Gardens Day 4-5

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Across the first 3 to 4 days of walking around Jingili Water Gardens my thinking evolved from discovery and my understanding of the actual scope of commitment it will take to realize a creative breakthrough. My reflection efforts have been centered on observing my thinking and my thoughts about my thinking. I now realize that I have evaded thinking about my cognitive psychology and what I bring to the gardens each repeated activity. In short, the subconscious filters that inhibit my perceptions
As mentioned in previous reflections, I am a career educator and a fledgling artist, and I am preparing my exit from educational leadership and building my aspirations as a late-career artist. The repeated activity is intended to enable me to find a difference that can help support a transformation.
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Darwin Jingili Water Gardens Day 2

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I have participated in previous holidays with urgency to experience something that I have not experienced before - a different country, a different city, and different tourist sites. I have a well-developed desire to travel and gain satisfaction through novel experiences. I have accepted that the consumption of difference is the basis of my creativity.
However, this holiday is passive and now intentionally regulated by maintaining a pattern of doing the same each day to reflect on the subtlety of difference. 
I'm not 'just doing it' for the sake of just doing it, at the same-ish time of day. On the same path through the same location, two days in a row, trying to establish my understanding of action within Jingil Water Garden within itself.  
So I am intentionally subjugating myself to perform in a linear succession day after day. In this manner, I bridge myself with yesterday, with today, and with tomorrow. A challenge of repetition to gain a deeper understanding of my creat…
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Engaging disengagement

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Disengaged students

If the data is consistent 10% of youths between the age of 16 to 18 are not engaged in education, employment, or training (a stitch in time: tackling educational disengagement). The ongoing cost for people who have disengaged will grow ever-increasing as society relies less on unskilled labor.


Technological change, greater labor market flexibility, and economic reforms are transforming the workplace. In Australia the labor growth sections are;

Health Care and Social AssistanceProfessional, Scientiļ¬c and Technical ServicesEducation and TrainingMining Construction  The jobs in decline are; Manufacturing Agriculture, Forestry and Fishing The Future Of All Work, And Not Just For Creatives - trends in USA: 
 “With the avalanche of new products, new technologies, and new ways of working, workers are going to have to become more creative in order to benefit from these changes.”


The disengaged ex-students have a decreasing employment prospect.
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System Leadership for Innovation in Education

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